TRAILER
March 07, 2019
March 01, 2019
Death of a Salesman: Director’s Notes
Alexander Barnett on Death of a Salesman
Thematic Content and Structure
This is
not the story of a salesman; it is the story of Willy Loman, who just happened
to be a salesman. This is not the story of Everyman. Willy’s passion, love and
drive go way beyond the norm. Perhaps most people will relate to Willy, be
moved by him and, most important, think, contemplate and learn from his life
and his mistakes.
Willy,
like Eddie Carbone in Arthur Miller’s A
View from the Bridge, demands to be “totally known”. Like Eddie, he could
never settle for half. He must attempt everything even if it means ending up
with nothing. He will risk his very life to achieve his “due”, what he
considers his rightful status. As Arthur Miller says, “The commonest of men may
take on that [tragic stature] to the extent of his willingness to throw all he
has into the contest, the battle to secure his rightful place in the world.” Of
course, this willingness automatically removes him from being the commonest of
men.
February 28, 2019
Introducing King Lear on Facebook
I thought you might be interested in taking a look at this page: https://www.facebook.com/KingLearFilm/?ref=settings
February 12, 2019
Director’s Notes – Episode 5 King Lear
There’s tension, intrigue,
distrust and anticipation throughout the country. An imminent civil war is brewing.
Oswald left Goneril’s at 4:30
in the morning and Kent (Caius) left 15 mins later. They’ve traveled many hours and they’ve
traveled hard. They’re exhausted.
They’ve gone sleepless this past night.
They arrive at 5:00 am. It’s late
Nov so it’s cold and dark. Regan and
Cornwall have just retired. We know from
the opening scene that Kent is a close friend of Gloucester’s so obviously he’s
been to Gloucester’s castle before and knows his way around.
Since Oswald doesn’t know where to set his horses he obviously hasn’t been here before and there’s no reason why he should have.
Since Oswald never would have gotten a good look at Caius (Kent in disguise) in the third scene and since it’s dark, there’s no reason he’d recognize him now. Kent, though, would certainly recognize Oswald, simply by his voice. In his pursuit of Oswald he has unwittingly worked himself into a rage. What creates even greater outrage is that he thinks Oswald does know who he is.
Since Oswald doesn’t know where to set his horses he obviously hasn’t been here before and there’s no reason why he should have.
Since Oswald never would have gotten a good look at Caius (Kent in disguise) in the third scene and since it’s dark, there’s no reason he’d recognize him now. Kent, though, would certainly recognize Oswald, simply by his voice. In his pursuit of Oswald he has unwittingly worked himself into a rage. What creates even greater outrage is that he thinks Oswald does know who he is.
February 06, 2019
Still Life with Booze
I've written a new one-act comedy.
Cast of Characters for Still Life with Booze
Toulouse Lautrec: A man of remarkable psychological insight and abundant goodwill toward his devoted friend. He is understanding, witty, gay, lively and outstandingly original.
Paris - 1887
Paul Gauguin: Intelligent, virile, domineering and sarcastic, a born leader with an outrageous sense of humor.
Toulouse Lautrec: A man of remarkable psychological insight and abundant goodwill toward his devoted friend. He is understanding, witty, gay, lively and outstandingly original.
Camille Pissarro: Warm, intelligent, emotional and virtually ageless. Generous to a fault, he has no regard for material things.
January 03, 2019
December 07, 2018
Lear and His Daughters - Character Notes
Some director's thoughts on the characters of Lear, Goneril, Regan and Cordelia.
Lear is a man of massive emotions, uncontrollable passions, dictatorial, uncompromising, magnificently charismatic, a brilliant politician, an iron-fisted leader, totally opinionated, egotistical, dogmatic, and overbearing. He inspires in some enormous love, devotion, respect and loyalty; in others, loathing and contempt.
Goneril is utterly ruthless, totally compulsive, paranoid, devious, vitriolic. She is never at peace, never satisfied,
Another terrible nomination.
William Barr helped establish mass incarceration. Now Trump wants him as attorney general.
November 22, 2018
Judge Says Federal Law Against Female Genital Mutilation Violates U.S. Constitution
The Federal government should protect the inherent right of individuals to control what is
done with/to their own bodies. Including children who should not be forced into something that will affect the rest of their lives. That goes beyond which government entity has jurisdiction over crimes. The remaining 26 states who have not yet criminalized
this disgusting practice need to do so NOW.
It is estimated that more than 200 million girls and women alive today have undergone female genital mutilation in the countries where the practice is concentrated. There are an estimated 3 million girls at risk of undergoing female genital mutilation every year. We should not be part of this.
https://www.npr.org/2018/11/21/669945997/judge-says-federal-law-against-female-genital-mutilation-violates-u-s-constituti
It is estimated that more than 200 million girls and women alive today have undergone female genital mutilation in the countries where the practice is concentrated. There are an estimated 3 million girls at risk of undergoing female genital mutilation every year. We should not be part of this.
https://www.npr.org/2018/11/21/669945997/judge-says-federal-law-against-female-genital-mutilation-violates-u-s-constituti
November 03, 2018
Greatly recommend Radley Balko's blog and books.
This one is an excellent
indictment of both the moral hazard and perverse incentives of
privatizing the criminal justice system - an area of governance that is a
true responsibility of government.
washingtonpost.com|By Radley Balko
September 20, 2018
September 14, 2018
August 28, 2018
Investigation Discovery
Here are some photos from A Doe in the Woods, an episode of the television series "Who Killed Jane Doe?" I played real life murderer Ralph Penrod.
August 16, 2018
The Eyes of Van Gogh: Director's Statement
My film, The Eyes of Van Gogh, is a story, never told before, about
the 12 months Vincent van Gogh spent in the insane asylum at St. Remy. It is a film about his brother, Theo van Gogh
(Gordon Joseph Weiss) and about Vincent and Paul Gauguin (Lee Godart) in the Yellow
House in Arles. It is a film about
painters and artists, Impressionists and Post-Impressionists. Most important, it is a film about madness; a
film of obsession.
After the disastrous
months spent with Gauguin in the yellow house in Arles, Vincent van Gogh, in
desperate search of a cure from attacks that increasingly plague him,
voluntarily enters an insane asylum in the town of St. Remy 10 miles from the Yellow
House. Van Gogh, portrayed by Alexander Barnett, entrusts himself to the care of
Dr. Peyron, played by Roy Thinnes.
July 29, 2018
June 19, 2018
Why would anyone question Shakespeare's relevance?
May 23, 2018
Best Picture Nomination
I Did Her Wrong has been nominated for Best Picture by the Stockholm Independent Film Festival.
I'm very pleased. I Did Her Wrong (Filmscript Co-Screenwriter)
May 17, 2018
Thoughts on Hunting
The Japanese call it cultural heritage. So, too, the Eskimos who hunt whales. I think anyone who claims to be a civilized human being should call it barbaric. And that includes sport hunting and the slaughter of animals so we can wear their skins or eat their flesh.
May 14, 2018
Considering Those in Desperate Need of Relief
Critical thinking and risk assessment needed urgently. This country always overreacts. https://www.statnews.com/2018/03/06/cms-rule-limits-opioid-prescriptions/
April 09, 2018
New Nomination for I Did Her Wrong
March 21, 2018
Racial Profiling
No one living in this country who is not a criminal should be living in fear of the police. It is disgusting. It won't stop without a torrent of public outrage.
March 20, 2018
THE WHY OF SHAKESPEARE?
Frequently I
see posed the question: “Is Shakespeare important and relevant to our modern
world?” followed by its concomitant: “If so, why?”
So long as
human beings survive, Shakespeare’s importance and relevance is timeless
because:
March 19, 2018
I DID HER WRONG at the Philadelphia Independent Film Festival
February 16, 2018
January 25, 2018
Exposing Layer upon Layer of Moral Rot
Afghan Pedophiles Get Free Pass From U.S. Military, Report Says
By Rod Nordland
On
5,753 occasions from 2010 to 2016, the United States military reported
accusations of “gross human rights abuses” by the Afghan military,
including many examples of child sexual abuse. If true, American law
required military aid to be cut off to the offending unit.
Not once did that happen.
December 05, 2017
November 29, 2017
Perfect statement from Iris Murdoch
Shakespeare's people, enduring individuals known all over the world,
are like icons, secure inhabitants of an art which comprehends human
nature from its deepest evil to its highest good, together with its
funniness, its happiness & its beauty.
-Metaphysics as a Guide to Morals
-Metaphysics as a Guide to Morals
November 20, 2017
Why the Kurds are Paying for Trump's Gift to Iran
The Kurds are an incredible people. Historically, they have suffered terribly and unjustly. Currently, they have done more to defeat Isis than any other fighting group. They have been betrayed by every country that has dealt with them.
November 07, 2017
I Did Her Wrong
I Did Her Wrong slated for the Alexandria Film Festival.
Working on this project was a unique experience. Since all of the dialogue was improvised by Catalina Lavalle and me it was especially challenging.
European Release for King Lear
My film of King Lear screening in English across the European continent. Details here.
October 27, 2017
October 22, 2017
King Lear Released
My film has been released in the United States, the United Kingdom, and in libraries throughout the US and Canada. The 15 episode version of the film is also available worldwide.
October 04, 2017
September 30, 2017
On Filming The Eyes of Van Gogh
The opening shots of The Eyes of Van Gogh are of the grounds of the asylum at St. Remy in May of 1889. The head of the asylum, Dr. Peyron, escorts Vincent through the park.
Narrow eye-level view as the camera moves slowly along the path through the park, skirting from left to right. Through Vincent's eyes we see numerous thick trees, open areas and benches scattered throughout the park, but much of the vegetation is dense and overgrown. Upkeep is obviously not a main concern.
There is a fog in the air that lends a haunting, dreamlike quality to the scene. Things that we see seem to appear suddenly and unexpectedly. As the camera continues through the park we see brief glimpses of isolated patients.
Although their afflictions are different, their commonality dominates. All the patients appear to be stranded in space. Any prior understanding or clarity is frozen inside them. The policy of the Asylum being what it is, they have absolutely no distractions, nothing to do and nowhere to go. They have no direction, no focus, no purpose. But being human there is a reflexive search for them. They don't live, they exist: eating, sleeping and digesting. The result is an atmosphere inundated with silence; a screaming silence. It is truly the home for the accursed.
One stands in the bushes looking around fearfully, suspecting everyone of spying on him. He searches ceaselessly for the evil presence that is trying to destroy him. One sits on a bench, shaking his head frantically in disapproval and carrying on a silent argument with an invisible person.
One lies on the ground, his body tight, withdrawn, trembling with fear. One stands near a tree and scans the Park, his eyes glowing and a vicious smile on his face. One imagines he is being chastised by voices from on high. He shakes his head, fretting nervously, pleading for the voices to leave him in peace: all to no avail.
One sits on the ground, motionless, his mouth hanging open, studying a tiny, invisible spot.
One is on his knees, frantically pounding the ground.
Narrow eye-level view as the camera moves slowly along the path through the park, skirting from left to right. Through Vincent's eyes we see numerous thick trees, open areas and benches scattered throughout the park, but much of the vegetation is dense and overgrown. Upkeep is obviously not a main concern.
There is a fog in the air that lends a haunting, dreamlike quality to the scene. Things that we see seem to appear suddenly and unexpectedly. As the camera continues through the park we see brief glimpses of isolated patients.
Although their afflictions are different, their commonality dominates. All the patients appear to be stranded in space. Any prior understanding or clarity is frozen inside them. The policy of the Asylum being what it is, they have absolutely no distractions, nothing to do and nowhere to go. They have no direction, no focus, no purpose. But being human there is a reflexive search for them. They don't live, they exist: eating, sleeping and digesting. The result is an atmosphere inundated with silence; a screaming silence. It is truly the home for the accursed.
One stands in the bushes looking around fearfully, suspecting everyone of spying on him. He searches ceaselessly for the evil presence that is trying to destroy him. One sits on a bench, shaking his head frantically in disapproval and carrying on a silent argument with an invisible person.
One lies on the ground, his body tight, withdrawn, trembling with fear. One stands near a tree and scans the Park, his eyes glowing and a vicious smile on his face. One imagines he is being chastised by voices from on high. He shakes his head, fretting nervously, pleading for the voices to leave him in peace: all to no avail.
One sits on the ground, motionless, his mouth hanging open, studying a tiny, invisible spot.
One is on his knees, frantically pounding the ground.
August 22, 2017
King Lear in US and UK Libraries
I am very pleased to learn that Hoopla Digital
has ordered the 15 episode series version of my film of King Lear.
Hoopla Digital is a North American streaming
media service. It allows users throughout
the United States and the United Kingdom to borrow digital movies, music
and eBooks with their library cards.
It should be available from libraries sometime
in October 2017.
Kent (Peter Holdway) tries to console Lear (Alexander Barnett) |
July 02, 2017
June 27, 2017
Trailer King Lear
April 13, 2017
Another reason to keep Taiwan out of China's reach.
Breaking News: Taiwan bans the trade in dog and cat meat · A Humane NationThis
week, our fight against the global dog meat trade got an enormous lift
with Taiwan’s legislature amending its anti-cruelty law and banning the
trade and the…blog.humanesociety.org
March 28, 2017
Cries from Syria
This searing documentary is extraordinary both for the astonishing footage that was captured and its utter indictment of Assad and Putin. They are war criminals. Watch it -- difficult though it may be. http://www.hbo.com/documentaries/cries-from-syria
March 27, 2017
Seal Hunting Continues
This is disgusting. http://www.northernpen.ca/…/seal-hunt-to-reopen-by-early-ne…
Although unfortunately it is not hard to believe that anyone could this, it shouldn't be hard to think that anyone viewing it would not insist it stop. https://www.youtube.com/watch?v=r1E_X6c4c6A
Although unfortunately it is not hard to believe that anyone could this, it shouldn't be hard to think that anyone viewing it would not insist it stop. https://www.youtube.com/watch?v=r1E_X6c4c6A
Subscribe to:
Posts (Atom)