March 25, 2010
Assault on the Fourth Amendment
I saw this film at the Cato Institute. It was written and produced by interns who had worked there. Not only is the film hugely important for civil rights, but is expertly produced, cast and directed. Please give the film and the group exposure.
March 12, 2010
Women as Tools of War
The article by Mr. Goldberg is excellent. The response is frightening and yet totally predictable. I have done enormous research re atrocities committed against women, especially in Africa, the Middle East and Eastern Europe. The statistics are horrific and quite accurate. Rape and the enslavement of women are being used as a tools of war throughout the world. Women are being treated like road kill. Unfortunately this has been true throughout history and the problem has gotten progressively worse. For those sceptics, I invite them to check out what's happening now in The Republic Of the Congo and then research the practice of honor killings and the murder of female babys and genital mutilation of women and the enormous slave trade in women (which by the way would never survive without all the customers from the so-called civilized countries like the U.S. Japan, England, France, etc.) Check out what the Japanese did to the Chinese women in Nanking and what the Serbs did in Bosnia and what the Russians did to the German women near the end of World War 11. In Bosnia and herzegovina over 70000 women and girls were raped by the Serbs, often in front of their parents, many as young as 12 or 13. Scores of them were killed, their bodies dumped like garbage. In Africa as in most other third world countries men reign supreme. Women are not committing any of these atrocities: Men are. Cross posted to the Chigago Tribune.
March 11, 2010
New trailer for The Eyes of Van Gogh
Please take a look at the trailer for my film The Eyes of Van Gogh here.
February 21, 2010
Exploring King Lear
King Lear is Shakespeare's greatest play and very likely the greatest work in all of English literature: Its themes are of the most profound nature -- self realization; the myth of universal justice; fortuitousness in the battle between good and evil; the nature of evil. First and foremost Lear is a fighter and never gives in to adversity. In any production of King Lear we must see the lion in Lear and his raging battle between his age and failing mind. What makes him so fascinating and exciting are his tremendous extremes of temperment. He fights an epic and and magnificent struggle against overwhelming physical and emotional turmoil and his implacable refusal to surrender make him one of the greatest, most towering and passionate tragic characters ever created. This is why Lear is both a tragic and yet an uplifting experience.
Cross-posted to E-Notes
Cross-posted to E-Notes
January 15, 2010
An End to the Myth of the Tortured Soul??
Overall a well written and intelligent article. However there are several errors. "His best paintings were produced in the last 15 months of his life which he spent in Arles where he went to live in 1888...and at nearby St. Remy where he spent a year at a mental institution." He spent 15 months in Arles (2/88 to 5/89) where he did indeed produce most of his best paintings, but the last 15 months of his life was spent at St.Remy (12 months) and Auvers sur Oise, (2 1/2 months.) Vincent did some excellent work at St. Remy and nothing exceptional at Auvers, so he did not produce his best work in his final 15 months. "Italian art didn't get a look-in." Not true. He referred several times to Raphael and several others whom he didn't care for, primarily because he found their work rather cold and because they were totally unable to depict workers who really worked. However, he absolutely adored Michaelangelo, because his figures depicted, not reality, but hyper reality.
Regarding Theo's support of Vincent, I agree that Vincent would never have been able to achieve what he did without his support. However, Vincent and Theo came to an agreement in 1882 whereby Theo would send Vincent money and in return he would get to keep all of Vincent's work and and do with it what he pleased. Certainly this was not a handout but reasonable recompense. Finally, the title of this article is totally misleading since there is nothing in it that indicates that Van Gogh was not a tortured soul.
Regarding Theo's support of Vincent, I agree that Vincent would never have been able to achieve what he did without his support. However, Vincent and Theo came to an agreement in 1882 whereby Theo would send Vincent money and in return he would get to keep all of Vincent's work and and do with it what he pleased. Certainly this was not a handout but reasonable recompense. Finally, the title of this article is totally misleading since there is nothing in it that indicates that Van Gogh was not a tortured soul.
January 07, 2010
Getting Away with Torture
David Cole does a superb job documenting the horror the United States government perpetrated upon an entirely innocent civilian in the name of the "war of terror."
January 01, 2010
Robert Barnete Studio
If you are not already familiar with his artistry, then I am very proud and honored to introduce you to my late brother's work.
Robert Barnete was most of all a painter of passionate motion, which found its greatest expression in the equestrian arts and within the culture of Spain.
During his mid-career he fell under the enchantment of the Bedouin and the Blue People.
Although born in New York, his work took him from Mexico to Paris to Madrid to Tangiers and finally to London.
Robert Barnete was most of all a painter of passionate motion, which found its greatest expression in the equestrian arts and within the culture of Spain.
During his mid-career he fell under the enchantment of the Bedouin and the Blue People.
Although born in New York, his work took him from Mexico to Paris to Madrid to Tangiers and finally to London.
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