October 04, 2017
September 30, 2017
On Filming The Eyes of Van Gogh
The opening shots of The Eyes of Van Gogh are of the grounds of the asylum at St. Remy in May of 1889. The head of the asylum, Dr. Peyron, escorts Vincent through the park.
Narrow eye-level view as the camera moves slowly along the path through the park, skirting from left to right. Through Vincent's eyes we see numerous thick trees, open areas and benches scattered throughout the park, but much of the vegetation is dense and overgrown. Upkeep is obviously not a main concern.
There is a fog in the air that lends a haunting, dreamlike quality to the scene. Things that we see seem to appear suddenly and unexpectedly. As the camera continues through the park we see brief glimpses of isolated patients.
Although their afflictions are different, their commonality dominates. All the patients appear to be stranded in space. Any prior understanding or clarity is frozen inside them. The policy of the Asylum being what it is, they have absolutely no distractions, nothing to do and nowhere to go. They have no direction, no focus, no purpose. But being human there is a reflexive search for them. They don't live, they exist: eating, sleeping and digesting. The result is an atmosphere inundated with silence; a screaming silence. It is truly the home for the accursed.
One stands in the bushes looking around fearfully, suspecting everyone of spying on him. He searches ceaselessly for the evil presence that is trying to destroy him. One sits on a bench, shaking his head frantically in disapproval and carrying on a silent argument with an invisible person.
One lies on the ground, his body tight, withdrawn, trembling with fear. One stands near a tree and scans the Park, his eyes glowing and a vicious smile on his face. One imagines he is being chastised by voices from on high. He shakes his head, fretting nervously, pleading for the voices to leave him in peace: all to no avail.
One sits on the ground, motionless, his mouth hanging open, studying a tiny, invisible spot.
One is on his knees, frantically pounding the ground.
Narrow eye-level view as the camera moves slowly along the path through the park, skirting from left to right. Through Vincent's eyes we see numerous thick trees, open areas and benches scattered throughout the park, but much of the vegetation is dense and overgrown. Upkeep is obviously not a main concern.
There is a fog in the air that lends a haunting, dreamlike quality to the scene. Things that we see seem to appear suddenly and unexpectedly. As the camera continues through the park we see brief glimpses of isolated patients.
Although their afflictions are different, their commonality dominates. All the patients appear to be stranded in space. Any prior understanding or clarity is frozen inside them. The policy of the Asylum being what it is, they have absolutely no distractions, nothing to do and nowhere to go. They have no direction, no focus, no purpose. But being human there is a reflexive search for them. They don't live, they exist: eating, sleeping and digesting. The result is an atmosphere inundated with silence; a screaming silence. It is truly the home for the accursed.
One stands in the bushes looking around fearfully, suspecting everyone of spying on him. He searches ceaselessly for the evil presence that is trying to destroy him. One sits on a bench, shaking his head frantically in disapproval and carrying on a silent argument with an invisible person.
One lies on the ground, his body tight, withdrawn, trembling with fear. One stands near a tree and scans the Park, his eyes glowing and a vicious smile on his face. One imagines he is being chastised by voices from on high. He shakes his head, fretting nervously, pleading for the voices to leave him in peace: all to no avail.
One sits on the ground, motionless, his mouth hanging open, studying a tiny, invisible spot.
One is on his knees, frantically pounding the ground.
August 22, 2017
King Lear in US and UK Libraries
I am very pleased to learn that Hoopla Digital
has ordered the 15 episode series version of my film of King Lear.
Hoopla Digital is a North American streaming
media service. It allows users throughout
the United States and the United Kingdom to borrow digital movies, music
and eBooks with their library cards.
It should be available from libraries sometime
in October 2017.
Kent (Peter Holdway) tries to console Lear (Alexander Barnett) |
July 02, 2017
June 27, 2017
Trailer King Lear
April 13, 2017
Another reason to keep Taiwan out of China's reach.
Breaking News: Taiwan bans the trade in dog and cat meat · A Humane NationThis
week, our fight against the global dog meat trade got an enormous lift
with Taiwan’s legislature amending its anti-cruelty law and banning the
trade and the…blog.humanesociety.org
March 28, 2017
Cries from Syria
This searing documentary is extraordinary both for the astonishing footage that was captured and its utter indictment of Assad and Putin. They are war criminals. Watch it -- difficult though it may be. http://www.hbo.com/documentaries/cries-from-syria
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