Municipal Culture to Screen The Eyes of Van Gogh

I am pleased to announce that the city of San Luis Potosí in Spain is hosting my film The Eyes of Van Gogh calling it 'a film work that offers an intimate and deep vision of life and challenges that the iconic painter faced.'

Available on Amazon Prime www.theeyesofvangogh.com

SHAKESPEARE'S KING LEAR - A NEW FILM

Director's Vision

Today, wherever you turn, the world is erupting in violence: murder, torture, rape, carnage.  The list of atrocities seems endless.  More and more we see life treated cheaply, brutally, in such a meaningless way.  The pain and suffering are beyond belief.  In spite of this, as a director and filmmaker, I’ve always believed that artists can make a difference. Lear is a man at war with himself; his actions belie his essence. Emotionally induced madness is often brought on by an overwhelming accumulation of lies that the subconscious rebels against.  The manifestation of madness is the body’s and mind’s defense against total physical destruction.  Immoral actions do not induce madness in those whose essence condones them.  

The Terrifying Slope Gets Steeper

University appeasement  From The New York Times on UC Berkeley 

U.C. Berkeley Gives Names of Students and Faculty to Government for Antisemitism Probe

Now available on YouTube

King Lear Film Act 1 Scene 2 

Jared Dorek as Edmund and Eric Smith as Edgar

KING LEAR Film - Act 4, Scenes 3, 4, 5

Stream on Amazon Prime Episode 11  

ACT FOUR

4.3

Lear’s condition has degenerated severely since Kent sent his message to Cordelia prior to the storm. Now in the storm, circumstances are even more dire and Kent is eager to hear a report of Cordelia.  The First Knight does not just reiterate what has happened, but was so stirred by Cordelia’s reaction that he becomes entranced in the memory and relives the moment.  Despite the devastating exchange when they last parted, Cordelia is deeply moved by the news of her father’s failing health.  Both Kent and the Knight find relief and even hope in the fact that despite the betrayal, a loving bond still endures. 

4.4

When Cordelia receives the letter describing Lear’s madness, we witness her internal struggle.  She has become a Queen and is now preparing for battle against her own people.  She is strong in the first scene, but now has gained a different, deeper kind of strength.  She has gained maturity and gravitas through responsibility, yet we are also privy to her vulnerability as she is faced with news of her father's poor health.

 This month Air India’s Inflight Entertainment Worldwide introduces “Gladiator 2”, “Conclave” and “Tikkun Olam” to its lineup.

“Tikkun Olam” is a short film, reviewed as "an urgently needed story of hope, with blistering performances". In this film a young boy in Washington, D.C. brings dignity to a homeless veteran. The film’s central theme, Tikkun Olam - or healing the world - was inspired by Rabbi Lord Jonathan Sack's book “To Heal A Fractured World”.  I was pleased to have done the lead.

Air India is recipient of the 2024 Leading Airline Inflight Entertainment Award at the World Travel Awards (WTA) – the leading awards program in the airline industry.

KING LEAR Film - Act 2 Scene 4

Stream on Amazon Prime - Episode 6

When Lear arrives at Gloucester’s, the political tensions that have been building towards upheaval breach the surface, while the impending storm looms inevitably closer. This scene is structured around a slow build towards a breaking point, yet at its heart is only deterioration. The stability of the kingdom, alliances, familial bonds, and Lear’s health and sanity all begin to fall apart.

The Fool, ever shrewd to the point of seeming prescience, warns Kent of what is about to happen.  He is alarmed by the changes he sees in Lear and, knowing Goneril and Regan’s true nature anticipates that he is about to be pushed into further devolution. He urgently cautions Kent that Lear’s decline will be swift and brutal, that it has already begun, and that it will not end well for those who follow. This moment is particularly poignant, as the Fool speaks to Kent not as Caius, but as himself. In that sense, it echoes the moment of recognition during 1.4, but goes beyond that brief silent exchange. This is not a moment of commiseration; rather the Fool is compelled by his very nature to warn Kent of the danger of following a doomed man. Yet he also knows that neither Kent nor himself will head that warning. They are both steadfast in their devotion to Lear and, however foolishly, will remain at his side in spite of what is to come, and indeed because of it.